tag:blogger.com,1999:blog-7401966285336876819.post1684785521894737662..comments2022-12-26T18:20:46.324+01:00Comments on Microtonal Music & Theory by Claudi Meneghin: Mussorgsky - Pictures at an Exhibition [Microtonal, 31edo, 53edo]Claudi Meneghinhttp://www.blogger.com/profile/13661660692968436289noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7401966285336876819.post-32926879688027300302021-07-31T17:17:32.651+02:002021-07-31T17:17:32.651+02:00Thank you ! :) I adopted Pythagorean mostly for pi...Thank you ! :) I adopted Pythagorean mostly for pieces in minor keys or where I wished to get dissonant major thirds...Claudi Meneghinhttps://www.blogger.com/profile/13661660692968436289noreply@blogger.comtag:blogger.com,1999:blog-7401966285336876819.post-27566390117313554772021-05-09T19:23:48.817+02:002021-05-09T19:23:48.817+02:00Wow, quite a shocker such a chromatic piece with R...Wow, quite a shocker such a chromatic piece with Russian motifs works so well in non-circulating tunings. Especially great effect on Il vecchio castello. How did you decide which parts to do with meantone and which with Pythagorean? And did you deliberately pick a home key in Catacombs to produce the extreme dissonances?Anonymoushttps://www.blogger.com/profile/17868135348270682101noreply@blogger.com