BACH - SARABANDE BWV 1002 - Claudi Meneghin, Guitar

 The Sarabande, from Bach's Partita in B minor for Violin BWV 1002. Played by Claudi Meneghin, classical guitar (after quite a few years spent wihtout playing).

Played on 2024-12-22. Arrangement: Claudi Meneghin.

THE MAJOR TRIAD - Approximants in multiple EDO's

 

We present the Major Triad C-E-G approximated into multiple equal-division-of-the-octave systems: 16-edo, 23-edo, 7-edo, 35-edo, 28-edo, 21-edo, 14-edo, 47-edo, 40-edo, 33-edo, 26-edo, 52-edo, 45-edo, 64-edo, 19-edo, 50-edo, 31-edo, 43-edo, 55-edo, 67-edo, 48-edo, 60-edo, 12-edo, 65-edo, 53-edo, 41-edo, 29-edo, 58-edo, 46-edo, 63-edo, 17-edo, 51-edo, 34-edo, 56-edo, 39-edo, 61-edo, 22-edo, 49-edo, 54-edo, 27-edo, 59-edo, 32-edo, 37-edo, 42-edo, 10-edo, 25-edo, 15-edo. The approximation process works as follows: in each N-edo, the cent values of the ratios 5/4 and 3/2 have been approximated to the nearest multiple of 1200/N. The resulting approximants have been sorted by ascending fifths (i.e., the «G» notes). ⦿ More Tuning Comparisons: https://www.youtube.com/watch?v=lNLOP97Jgec&list=PLC6ZSKWKnVz0CeBpZLMBbjouT9X-xfbXW ⦿ More Intervals & Tuning Systems: https://www.youtube.com/watch?v=lNLOP97Jgec&list=PLC6ZSKWKnVz0FgSVLNw4dSUrKmENQqIJ4

MICROTONAL FUGUE on an Original Theme [42edo]

 We present a Fugue on an original theme for Baroque Oboe, Recorder, Clarinet, Bassoon, tuned into a 12-tone subset of 42edo, generated by using six 24-step fifths (685.714 cents) alternated with six 25-step ones (714.286 cents).

This yields the following scale: 0.00 = 0\42 114.29 = 4\42 200.00 = 7\42 314.29 = 11\42 400.00 = 14\42 514.29 = 18\42 600.00 = 21\42 714.29 = 25\42 800.00 = 28\42 914.29 = 32\42 1000.00 = 35\42 1114.29 = 39\42 The customary 12-tone notation has been used in an inconsistent way. ⦿ More version of this Fugue: https://www.youtube.com/watch?v=TXwlLV2TCsw&list=PLC6ZSKWKnVz19KFcqB81YBug-MN71_Stb ⦿ More 42-edo videos: https://www.youtube.com/watch?v=DH-iGV6r8Xw&list=PLC6ZSKWKnVz3SApJsD6D6DTDrTtCEFaF3

DOWLAND's «Forlorn Hope Fancy» arranged for Harpischord and tuned into 31-edo

 We present John Dowland's «Forlorn Hope Fancy», arranged for harpischord, and tuned into 31-edo, very close to quarter-comma meantone. Midi rendition, soundfont is harpischord Zell.

Ambient Music, for Baroque Oboe and Atmosphere Continuo [15-edo]

Three minutes of ambient music in 15-equal division of the octave, based on the lament bass, for baroque oboe and atmosphere continuo.

⦿ More pieces in 15-edo: https://www.youtube.com/watch?v=H_M83RBnz5c&list=PLC6ZSKWKnVz3s_Y-oTg4MjJjN7LlJr9fi&pp=gAQBiAQB